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Tomb Of Payava
The Tomb of Payava is a Lycian tall rectangular free-standing barrel-vaulted stone sarcophagus, and one of the most famous tombs of Xanthos. It was built in the Achaemenid Persian Empire, for Payava, who was probably the ruler of Xanthos, Lycia at the time, in around 360 BC. The tomb was discovered in 1838 and brought to England in 1844 by the explorer Sir Charles Fellows. He described it as a 'Gothic-formed Horse Tomb'. According to Melanie Michailidis, though bearing a "Greek appearance", the Tomb of Payava, the Harpy Tomb and the Nereid Monument were built according to the main Zoroastrian criteria "by being composed of thick stone, raised on plinths off the ground, and having single windowless chambers". The tomb Payava, who is named in the inscriptions, is only known from this tomb. The tomb is a particularly fine example of a common Lycian style, carved from stone but accurately depicting a wooden structure. Three of the four tiers of the tomb are currently housed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peltast
A ''peltast'' ( grc-gre, πελταστής ) was a type of light infantryman, originating in Thrace and Paeonia, and named after the kind of shield he carried. Thucydides mentions the Thracian peltasts, while Xenophon in the Anabasis distinguishes the Thracian and Greek peltast troops. The peltast often served as a skirmisher in Hellenic and Hellenistic armies. In the Medieval period, the same term was used for a type of Byzantine infantryman. Description ''Pelte'' shield ''Peltasts'' carried a crescent-shaped wicker shield called a "''pelte''" (Ancient Greek grc, πέλτη, peltē, label=none; Latin: ) as their main protection, hence their name. According to Aristotle, the ''pelte'' was rimless and covered in goat- or sheepskin. Some literary sources imply that the shield could be round, but in art it is usually shown as crescent-shaped. It also appears in Scythian art and may have been a common type in Central Europe. The shield could be carried with a central strap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Xanthos
Xanthos ( Lycian: 𐊀𐊕𐊑𐊏𐊀 ''Arñna'', el, Ξάνθος, Latin: ''Xanthus'', Turkish: ''Ksantos'') was an ancient major city near present-day Kınık, Antalya Province, Turkey. The remains of Xanthos lie on a hill on the left bank of the Xanthos river. The number and quality of the monumental tombs still standing is a remarkable feature of the site. Xanthos is a UNESCO World Heritage Site. Xanthos was a centre of culture and commerce for the Lycians, and later for the Persians, Greeks and Romans who in turn conquered the city. As an important city in Lycia, it exerted significant architectural influences upon other cities of the region, with the Nereid Monument directly inspiring the Mausoleum at Halicarnassus in Caria. Xanthos is the Greek appellation, acquired during its Hellenisation, of Arñna in the Lycian language. The Hittite and Luwian name of the city is given in inscriptions as Arinna (not to be confused with the Arinna near Hattusa). The Romans c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artumpara
Artumpara, also Arttum̃para, Artembares (Persian name, *Rtambura, self-identified as "the Mede) was an Achaemenid Satrap of Lycia circa 400-370 BCE. He was involved in the Great Satraps' Revolt on the side of central Achaemenid authority in 366-360 BCE, helping to put down the rebel Datames. He is well known for his coinage. Artumpara is known to have competed for power with another man named Mithrapata.D. T. Potts, ''A Companion to the Archaeology of the Ancient Near East'' (2012), p. 912: "...c. 380–370 BC, two western Lycian dynasts named Arttumpara and Mithrapata claimed power simultaneously." It is thought he was defeated by Perikle. Coinage The portrait of Artumpara appears on his coinage, wearing the Achaemenid satrapal headdress. File:DYNASTS of LYCIA. Artumpara. Circa 400-370 BC.jpg, Coin of Artumpara, Satrap of Lycia Lycia ( Lycian: 𐊗𐊕𐊐𐊎𐊆𐊖 ''Trm̃mis''; el, Λυκία, ; tr, Likya) was a state or nationality that flourished in Anatolia f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ananda Coomaraswamy
Ananda Kentish Muthu Coomaraswamy ( ta, ஆனந்த குமாரசுவாமி, ''Ānanda Kentiś Muthū Kumāraswāmī''; si, ආනන්ද කුමාරස්වාමි ''Ānanda Kumārasvāmī''; 22 August 1877 − 9 September 1947) was a Ceylonese metaphysician, historian and a philosopher of Indian art who was an early interpreter of Indian culture to the West. In particular, he is described as "the groundbreaking theorist who was largely responsible for introducing ancient Indian art to the West". Life Ananda Kentish Coomaraswamy was born in Colombo, British Ceylon, now Sri Lanka, to the Ceylon Tamil legislator and philosopher Sir Muthu Coomaraswamy of the Ponnambalam–Coomaraswamy family and his English wife Elizabeth Beeby. His father died when Ananda was two years old, and Ananda spent much of his childhood and education abroad. Coomaraswamy moved to England in 1879 and attended Wycliffe College, a preparatory school in Stroud, Gloucestershir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Fergusson (architect)
James Fergusson FRS (22 January 1808 – 9 January 1886) was a Scottish-born architectural historian, mainly remembered for his interest in Indian historical architecture and antiquities. He was an important figure in the 19th-century rediscovery of ancient India. He was originally a businessman, and though not formally trained as an architect, designed some buildings and decorative schemes. Life Education and India Fergusson was born in Ayr, the son of William Fergusson (1773–1846) an army surgeon. After being educated first at the Royal High School, Edinburgh, and then at a private school in Hounslow, he went to India to work as a trader at his family's mercantile house of Fairlie, Fergusson & Co. of Calcutta. Here he became interested in the remains of the ancient architecture of India, little known or understood at that time. The successful conduct of an indigo factory, as he states in his own account, enabled him to retire from business after about ten years and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barabar Caves
The Barabar Hill Caves (Hindi बराबर, ''Barābar'') are the oldest surviving rock-cut caves in India, dating from the Maurya Empire (322–185 BCE), some with Ashokan inscriptions, located in the Makhdumpur region of Jehanabad district, Bihar, India, north of Gaya. These caves are situated in the twin hills of Barabar (four caves) and Nagarjuni (three caves); caves of the -distant Nagarjuni Hill are sometimes singled out as the Nagarjuni Caves. These rock-cut chambers bear dedicatory inscriptions in the name of "King Piyadasi" for the Barabar group, and "Devanampiya Dasaratha" for the Nagarjuni group, thought to date back to the 3rd century BCE during the Maurya period, and to correspond respectively to Ashoka (reigned 273–232 BCE) and his grandson, Dasharatha Maurya. The sculptured surround to the entrance to the Lomas Rishi Cave is the earliest survival of the ogee shaped "chaitya arch" or chandrashala that was to be an important feature of Indian rock-cut a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chaitya
A chaitya, chaitya hall, chaitya-griha, (Sanskrit:''Caitya''; Pāli: ''Cetiya'') refers to a shrine, sanctuary, temple or prayer hall in Indian religions. The term is most common in Buddhism, where it refers to a space with a stupa and a rounded apse at the end opposite the entrance, and a high roof with a rounded profile. Strictly speaking, the chaitya is the stupa itself, and the Indian buildings are chaitya halls, but this distinction is often not observed. Outside India, the term is used by Buddhists for local styles of small stupa-like monuments in Nepal, Cambodia, Indonesia and elsewhere. In Thailand a stupa, not a stupa hall, is called a chedi. In the historical texts of Jainism and Hinduism, including those relating to architecture, ''chaitya'' refers to a temple, sanctuary or any sacred monument. Most early examples of chaitya that survive are Indian rock-cut architecture. Scholars agree that the standard form follows a tradition of free-standing halls made of wood and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ajanta Caves
The Ajanta Caves are approximately thirty rock-cut Buddhist cave monuments dating from the second century BCE to about 480 CE in the Aurangabad district of Maharashtra state in India. The caves include paintings and rock-cut sculptures described as among the finest surviving examples of ancient Indian art, particularly expressive paintings that present emotions through gesture, pose and form. They are universally regarded as masterpieces of Buddhist religious art. The caves were built in two phases, the first starting around the second century BCE and the second occurring from 400 to 650 CE, according to older accounts, or in a brief period of 460–480 CE according to later scholarship. The site is a protected monument in the care of the Archaeological Survey of India, and since 1983, the Ajanta Caves have been a UNESCO World Heritage Site. The Ajanta Caves constitute ancient monasteries (Chaityas) and worship-halls (Viharas) of different Buddhist traditions carved int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gable End
A gable is the generally triangular portion of a wall between the edges of intersecting roof pitches. The shape of the gable and how it is detailed depends on the structural system used, which reflects climate, material availability, and aesthetic concerns. The term gable wall or gable end more commonly refers to the entire wall, including the gable and the wall below it. Some types of roof do not have a gable (for example hip roofs do not). One common type of roof with gables, the gable roof, is named after its prominent gables. A parapet made of a series of curves (Dutch gable) or horizontal steps (crow-stepped gable) may hide the diagonal lines of the roof. Gable ends of more recent buildings are often treated in the same way as the Classic pediment form. But unlike Classical structures, which operate through trabeation, the gable ends of many buildings are actually bearing-wall structures. Gable style is also used in the design of fabric structures, with varying degree ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chariot
A chariot is a type of cart driven by a charioteer, usually using horses to provide rapid motive power. The oldest known chariots have been found in burials of the Sintashta culture in modern-day Chelyabinsk Oblast, Russia, dated to c. 2000 BCE. The critical invention that allowed the construction of light, horse-drawn chariots was the spoked wheel. The chariot was a fast, light, open, two- wheeled conveyance drawn by two or more horses that were hitched side by side, and was little more than a floor with a waist-high guard at the front and sides. It was initially used for ancient warfare during the Bronze and Iron Ages, but after its military capabilities had been superseded by light and heavy cavalries, chariots continued to be used for travel and transport, in processions, for games, and in races. Etymology The word "chariot" comes from the Latin term ''carrus'', a loanword from Gaulish. In ancient Rome and some other ancient Mediterranean civilizations, a '' b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sphinx
A sphinx ( , grc, σφίγξ , Boeotian: , plural sphinxes or sphinges) is a mythical creature with the head of a human, the body of a lion, and the wings of a falcon. In Greek tradition, the sphinx has the head of a woman, the haunches of a lion, and the wings of a bird. She is mythicized as treacherous and merciless, and will kill and eat those who cannot answer her riddle. This deadly version of a sphinx appears in the myth and drama of Oedipus. Unlike the Greek sphinx, which was a woman, the Egyptian sphinx is typically shown as a man (an androsphinx ( grc, ανδρόσφιγξ)). In addition, the Egyptian sphinx was viewed as benevolent but having a ferocious strength similar to the malevolent Greek version. Both were thought of as guardians and often flank the entrances to temples. In European decorative art, the sphinx enjoyed a major revival during the Renaissance. Later, the sphinx image, initially very similar to the original Ancient Egyptian concept, was exporte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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